January 29, 2010

Get Yo' Shit Together, Washington!

Lately, for whatever reason, I’ve found myself becoming a lot more interested in US politics than I think I ever have before. Despite one of my “2010 resolutions” being to follow world and domestic news more closely, I feel I’ve been gravitating towards political awareness slowly for the past couple months now.

Two nights ago, for the first time that I can remember, I watched a State of the Union Address with great interest . The entire thing—even the Republican response and post-speech commentary (well, I was cooking during parts…but still, pretty much the whole speech…).

I guess it helps that I’m basically a Democrat pretending to be an independent and I’ve been an ardent Obama-supporter essentially since he became an Illinois Senator; regardless, over the past couple of years I’ve shied away from giving regular attention to the political arena due to my distaste for its polarizing, often hypocritical and wavering nature, and I readily recognize that Obama hasn’t exactly been a knock-out success during his first year in office—in fact, I believe he’s actually been incredibly disappointing.

Why is that? Well, I think one can attribute Obama’s less-than-stellar first quarter to a few things:


1. Obama has incredible rhetoric. Of course, I’ve known Obama is a great speaker for a while now, but it was apparent more than ever during the SotU address that he is a master spinster. This is good and bad: good because he can take any argument against him or his policy and spin and contort it as to make the criticizer look like a fool and an idiot, while at the same time making him appear to be a genius (the mark of a great debater); bad because when people break down and see past his fancy words, if there’s no evidence to back them up, he’s the one who looks like an idiot, spouting out empty statements. Last year Obama delivered a lot of big words—words that a lot of people, especially independents who voted for him, saw through very easily.


2. Those damn Republicans. Even though I cared nothing for politics when the last Democratic majority occupied Congress, I believe people when they say this is perhaps the most divided, bi-partisan Congress ever. Yes, I lean towards the left, but can open-minded right-wingers (an oxymoran?) really think the stubborn refusal of Republican representatives to participate in…well, anything, is not bad for everyone--liberals and conservatives alike? I don’t think I’ve ever witnessed such unbelievable naivety and childish behavior from a group of supposedly responsible adults, much less from the people that are supposed to help run the country. I mean damn. How fucking ignorant do you have to be to think this is in the best interest of anyone (but yourself)? And representing a state and a country should in theory be about as selfless as any job could be. I guess in this economy, even congressmen are worried about losing their jobs. Ironic isn’t it, how members of Congress believe the only way to keep their jobs in an election year is to not do them? Can any other job realistically make that claim? Just taking the opposite stance because your party dogma says you must is absolutely ridiculous. The Republican Party is starting to look an awful lot like the Catholic Church.


3. Lack of experience. I don’t think Obama completely knew what he was getting into when he stepped foot into the White House. And I’m not talking about the two wars or all of the other shit he’s inherited from the previous administration. I’m talking about the growing pains of dealing with a giant microscope hovering over his head held by the entire country and a historically stubborn Republican Party fighting his every action. To be fair though, I don’t think anyone—even the most seasoned of Washington vets—could have been completely prepared for this kind of onslaught.


Thankfully though, growing pains are apparently a pretty normal thing for newly elected presidents. Just ask Bill Clinton, who’s administration in now held in high regard (by most of the country). His first year…hell, his first term, I believe, was awful shaky, and he was held reasonable for the epic failure of his effort to tackle healthcare. In this respect, Obama might even have a heads up. Firstly, he has the advantage of history: eight years of the Clinton administration to draw from certainly helps, especially in regard to the healthcare debate. It appears, from his SotU address, that he will not give up or give in, which is a testament to his determination in face of mounting odds. Secondly, despite the lack of a 60-vote “filibuster-proof” majority in Congress, people still seem to forget Obama and the Democrats still have the greatest majority in decades. Yes, decades. It is quite refreshing that Obama seems to be adopting a “filibuster-be-damned, we’re gonna get shit done anyway” mentality.

And that is the kind of mentality that came through in his address the other night. While he again made a lot of promises and big statements, in which it remains to be seen to what degree he and Congress will follow through, the biggest thing I took out of his address was his refusal to back down in any regards. He was expected to take a more populist approach in order to help his image a bit and reconnect with a lot of the public, and that is very much what he did. However, in the face of this, Obama did not compromise his agenda: by issuing a challenge to the Republican Party to basically get off their high horse and get their hands dirty and by acknowledging that he will in fact not back down in the face of seemingly drastic set-backs to the healthcare plan, he firmly established that he will not be pushed around. I even found his historically uncharacteristic criticism of the Supreme Court verdict regarding campaign ad financing to be especially encouraging. One article I read made a good point in that he was not questioning the integrity of the court, so he had every right to criticize the decision. Separation of power does not mean the decisions of one branch cannot be brought into question by another, and Obama made that abundantly clear on Wednesday.

Of course, none of this matters if Obama doesn’t deliver. He made a lot of big promises the first time around, and the hopes of the nation (along with the added pressure from him being awarded the Nobel Peace Prize) set the bar very high. In most peoples’ minds—including mine—Obama did not deliver last year. However, it is encouraging to see that he hasn’t backed down. Unless he’s just incredibly talented at duping the American public over and over again with his words, I have hope that this year he will begin to deliver on some of those promises; this is the first time I’ve heard Obama mention specific steps in a significant speech to the public, which is certainly encouraging. Regardless, the trial and training period is over, if there is such a thing for a president. I believe a lot of his original supporters and even some of his skeptics have given him the benefit of the doubt this past year despite his shortcomings and the continuing stagnation of the economy, but now the margin for error is gone--especially with elections coming up this year and the loss of the filibuster-proof majority.

But Obama cannot do this alone, which he made quite clear: “To Democrats, Obama said ‘people expect us to solve problems, not run for the hills.’ To Republicans, he cautioned that ‘just saying no to everything may be good short-term politics, but it's not leadership.’” Today, he reiterated this directly to the GOP:


“The president told House Republicans that Americans don't ‘want us to focus on our job security. They want us to focus on their job security.


‘They didn't send us to Washington to fight each other in some sort of political field cage match to see who comes out alive. That's not what they want. They sent us to Washington to work together, to get things done and to solve the problems that they're grappling with every single day.’”


Damn straight. I need a job as bad as the next unlucky recent grad (if not worse than: how does $115k in student loans sound to you?). So it’s safe to say I’ll be keeping a close eye on Washington this year. Obama’s fantastic rhetoric has once again struck a chord with me and my hopes are raised greater than ever. Now let’s see those words put into action.

Impact of Art in Haiti


If you need some reaffirmation of the importance of art, check out this CNN article about the impact of the Quake on Haitian art.

January 25, 2010

Positive Vibes

Finally something new (and positive) to write about! A new blog series should keep things fresh and regular for a while, but I'll get into that in a minute.

First, I just want to get across my excitement about the feature documentary I'm currently developing--I'm fucking ecstatic. This may seem odd, but for the first time I truly feel like I want to make this documentary. I mean, I've been wanting to make it for a long time now, but for some reason the passion hasn't always been there.

However, today - even though I had a lot on my plate (like working on finding a job...) - I got a strong urge to work on my initial proposal for the documentary. Three hours later, the proposal was finished, and an amazing thing happened: as I walked home, I felt an incredible energy just flowing through me. I knew at that moment I really wanted to dedicate myself fully to this project.

Of course, the timing is a bit bad considering the poor state of my finances and my chronically frustrating work situation--oh how I'd love if this film was my job! Regardless, it's an amazing feeling just to know that the thing I want to focus on over the next three years is something I'm truly passionate about. If it wasn't there before, it's definitely there now.

Now on to that other bit of business...

I've been a fan of Tom Waits for a few years now, but anyone familiar with the artist (and the man) knows his discography (and he himself) can be a bit intimidating. I can thank my brother Craig and my friend Andrew for infusing me with "sonic-Waits", which lead me to download his entire discography a couple months ago. And to be honest, it's so intimidating that I've barely brushed the surface since that time.

While many with knowledge of Waits will point to a few seminal albums such as "Rain Dogs"and "Swordfishtrombones", I've realized recently that it's hard to completely appreciate him until you step back and look at his evolution as a musician and as a person.

Sooo...I've decided to undertake a musical odyssey into the world of Waits! My current knowledge of Tom Waits extends to a few albums ("Real Gone", "Alice", "Rain Dogs") and various scattered songs from here and there (thanks again to Craig and Andrew). However, I want to change this.

Over the next few months, I will listen to the entire Tom Waits discography in chronological order. Now, I'm not just talking about playing each album a couple times on my morning commute. No, I intend to delve into each album as I would with any new, highly anticipated CD I might buy (*/download*). And the best part...after I get through each album I'm going to report my thoughts here, on this very blog!

Why am I doing this? Well, I look at it as a kind of musical experiment. I feel like one of the big factors that scares a lot of people (including myself) away from certain artists is their prolific output and/or extensive catalog. "Best Of" compilations help with this, but they are only a small snapshot of the artist they attempt to accurately depict. Could you capture the essence of a city in a single photograph? Or twelve?

Van Morrison, Elvis Costello, Dennis Brown (!), Leonard Cohen...these are just a few of the artists I'm incredibly attracted to but have largely avoided delving into simply because of their incredible output (or in the case of Cohen, just not knowing where to start). Should that be an excuse though? I don't think so, and since Tom Waits tops everyone on this list for me, I intend to suck it up and run the gamete.

First up, 1973's "Closing Time"....

*Note: Due to the sheer epicness (not a word) and unpredictable time-table for this experiment (as opposed to the systematic approach of my "Top 25 Films of the Decade" series), the length between updates for this blog series may be anywhere from a few days to several weeks. Basically, don't hold your breath. Not to worry though (if there are actually people who regularly read this blog) - due to this irregularity I will still continue on with unrelated entries in the gaps between Tom Waits updates. In fact, watch out for that "Avatar" post I mentioned in my last entry. Fitting I think, considering Cameron's ode to the Smerfs just passed his own "Titanic" for the highest grossing film of all time ($1.84 billion)....in seven. fucking. weeks. Unbelievable. Titantic? Try 40.

January 23, 2010

Previews

I realize the blog has sort of bogged (I love that word) down over the past few weeks. The creative side of my brain tends to run in random, often inconvenient cycles, and this really hasn't corresponded well with my schedule.

That being said, I do have several new entries brewing, which I will hopefully post over the next couple of weeks (though I'll be quite busy I will make an effort to find some time).

In particular look out for the following:

-An entry about "Avatar" and the divides between filmmaker/non-filmmaker and between filmmakers themselves in regard to movie expectations and experience.

-An entry about how the creative process relates to knowledge and how that can create a never-ending slippery slope of creative discontent and lethargy (see: me).

-More "Mud"! (by now most of you have no idea what I'm talking about, but I intend to be more diligent about pursuing creative endeavors this year--drawing in particular)

Of course, if you know me (or have read any of my other promises in previous blog entries) then you have every reason to be skeptical. But thankfully this is, A. my blog so it doesn't matter because I don't have deadlines, and (more importantly) B. it's a new year and I'm making some big changes so...

...Look out for some good readin'!

January 14, 2010

Some recent thoughts

In no particular order:
  • I wish I was really fucking good at pool
  • My stubbornness is truly a gift and a curse--and that's apparent now more than ever
  • It's amazing how much my life has been affected for the better by someone close to me once telling me that I wasn't challenging enough
  • I really want to write a Spider Man script
  • I wish Terry Gilliam would get his due
  • I'm completely fascinated with the theory of Morphic Resonance (which I found out about from a comic book)
  • If I could freely volunteer to be sent to Haiti to help I would go in a heartbeat
  • I hate that it takes these catastrophic events for countries around the world to band together in a common effort to save and preserve lives, regardless of differences...
  • ...but it gives me hope that so many have so quickly responded to this horrible event--if only that kind of resolve would stick when nature is at peace
  • I'm reallllly looking forward to having a place of my own (soon I hope)
  • I'm so confused about what I should be feeling in regard to some of the closest friendships
  • My hair needs to grow faster
  • I wish the world in Avatar was real just so I could fly on a fucking dragon
  • Physical therapy just feels like I'm making my injury more obvious (and more painful)
  • I'm finding that money is best spent on things that are immediately gratifying rather than personal possessions
  • I feel like my heart is expiring; it's hard to believe I've gone this long without feeling anything. All these years of building walls is making them harder and harder to tear down. I even wonder if there's anything behind them anymore...or maybe I've just forgotten. Either way, I wish all the strength in the world to the girl who tries to bring them down a find out. She'll probably need it.
  • I really want to date a hipster chick just once to see how ridiculous it is. (and so I can go to Dan Deacon concerts and not feel like I just walked into a cult ritual)
If you're wondering, my mind is usually this random.

(*I realize I've been writing about myself a lot lately, which is something I kind of hate doing a lot. Hopefully it's just a passing phase. Don't worry, after this I'll stop being narcissistic for a while. Thank god.)

January 12, 2010

World Issues

The five biggest problems in the world:

1. Justice: The idea that an appropriate response to violence, hate, and discrimination is more of the same filtered through guise of "justice". "Justice" is a word twisted into a positive ideology, but the concept of justice is simply a socially accepted means of discrimination against an individual or a group of individuals. To say that someone "deserves justice" is to acknowledge they have the privilege of a minority. There is no justice in physically fighting back against those that oppress us--it only causes more death, hated, and segregation. "An eye for an eye" can have no place in this world if we want to end discrimination and violence. We must change our response before we can bring an end to the cause.

2. Discrimination: The idea that difference indicates privilege; that anyone or any group of people are superior to anyone else, based on any factor. We are different, but we are all different. And it is this that makes us all equal. Perceptions of superiority based on any grounds spawn discrimination, which leads to hate and ultimately violence and death. This is where it begins, this is the heart of our destruction. Everyone must recognize the equality of all living things before any of the following problems can be brought to an end.

3. War/violence: Simply put, we need to stop hurting each other because we look different, act different, or have different ideologies and beliefs. We can disagree without taking violent measures. I like to think we've evolved beyond the point where killing each other makes any sense (though did it ever?). War and genocide are the ultimate extensions of discrimination: the only conceivable outcome is great loss of life. Thus, if justice and discrimination are brought an end, this point will be irrelevant.

4. Destruction of the environment: If we keep killing our planet, as we are doing, then it won't matter what else we do: we're fucked. Equality is recognizing all living things as equal, and this extends well beyond our own species. We must recognize the Earth as a living thing and treat it as such, or we will surely die. However, we cannot stop killing the planet if we continue to promote violence and death amongst ourselves. Once we stop killing each other, we can focus on not killing the living, breathing rock on which we all live and thrive.

5. Money: We assign more value to that which holds no explicit value than almost anything else. Money does not nourish, it does not heal, it does not provide shelter, and it does not please. The idea of currency--something which only holds non-spiritual, symbolic value--is probably the single most destructive invention of our time, aside from weapons. When a persons' survival is dictated by a currency, food, water, shelter, and pleasure become a function of this currency; and when a persons' survival becomes based on an object (or even a concept, in the case of capital) that holds no spiritual or explicit value, life loses an essential layer of purpose and meaning that drives all living things. Money does not directly lead to the destruction of life, but it does represent the next degree of separation. The uneven distribution of wealth creates quantifiable differences which lead to discrimination. However, if money was distributed evenly among every person, then what would be the need for currency in the first place?

*Btw, I don't know anything about that EU poster..I just used it to emphasize my point.
**OK, that picture wasn't working for me so I replaced it with something a little more lighthearted to balance out the post...much cuter

January 8, 2010

My plan for 2010

Things I will do this year, in order (sort of):


1. Get a full-time job. [By end of February]

2. Get a new place. [By end of March]

3. Write the treatment for the documentary. [By end of June]

4. Start paying off student loans. [July]

5. Launch 'Top Priority Productions' (unofficially). [July]

6. Write grant proposals for the doc. [By end of August]

7. Pay off credit cards. [By end of September]

8. Work work work and save some money. [October-December]

9. Quit my full-time job. [End of December]

10. Travel! [Beginning of 2011]


*Note: I probably shouldn't let prospective employers read this.

January 2, 2010

FINALLY....1 and 2.

Well, I officially suck at self-imposed deadlines of low importance (not that this list isn't important or anything). Anyway, after several weeks and inconsistent updates counting down from 25 to 3 on my top 25 films of the 00's list, here are my two favorite, amazing, incredible, beautiful, fucking SICK movies of the (now past) decade:

2. The Dark Knight (2008)- These two last films were without a doubt the hardest to order for me. Up until the day before I began posting, I actually had "The Dark Knight" at number 1. Regardless, these two babies are so close that I may as well have flipped a coin for placement in the top two spots on the list. Well...what can I say about "The Dark Knight"? I could write a 20-page essay about how amazing this movie is and why I love it so much. I'll admit, I'm a sucker for comic book movies, but "The Dark Knight" takes comic book movies to a whole other level--in fact, it would be a slight to the movie to label it as such. When it comes to "comic book movies", "The Dark Knight" is simply in a league of its own; its placement on this list should testify to that. Over the past few years with the rising popularity of the genre, comic book movies have been getting closer and closer to breaking the barrier between "great comic book movie" and just "great movie": "The Dark Knight" is without a doubt that breakthrough (sorry "Iron Man" fans, that one's good but doesn't even come close). Never before has a superhero story been made so real and timely and world-conscious without being cliche or cheesy or overwrought. Unlike the awkward terrorism/Middle East plug in "Iron Man", "The Dark Knight" does not force its themes: social upheaval and anarchy, public justice, the corruption of social structures, etc. What makes the story in the movie relate so well is how it is portrayed; the film is cast in shades of gray: there is no black and white here. While The Joker is certainly a horrific, immoral creature, "The Dark Knight" makes you really consider the ideology he spits out to the city of Gothem, Batman, and Harvey Dent. I've mentioned this before, but I'll reiterate it here: Christopher Nolan owes a lot to classic film noir, and "The Dark Knight" is a prime example of how he integrates elements of the genre into his films. I won't get into all of the parallels here, but suffice to say they work to give "The Dark Knight" a realness that is rarely present in the larger Hollywood pictures and most comic book movies. Never before have I seen a film that has succeeded on so many levels in the industry, from being a successful, money-raking Hollywood blockbuster to working as a cerebral, well-written and legitimately great film. I wish I could write more. "The Dark Knight" will be remembered for decades to come and I truly believe it will be one of the movies that defines this generation of filmmaking. Now as to why it didn't get even a nomination for best picture is simply beyond me...

1. No Country for Old Men (2007)- I never ever thought I could love a movie that essentially deals with fatalism as one of its main themes. Cormac McCarthy is an amazing, amazing writer, but his writing doesn't instill any hope or really anything positive at all (excepting maybe "The Road" but I haven't read it). It is bleak, unemotional, incredibly and unflatteringly descriptive, dark and, in many cases, fatalistic. If you're unfamiliar with fatalism, take a moment to browse the Wikipedia entry. Thankfully, when I watch movies I can readily set my own beliefs and morals aside in order to fully immerse myself, unbiased, in the film experience. I say this because I believe most people would not adjust well to this fatalistic ideology that emanates throughout "No Country for Old Men". This is a Coen Brothers movie, but at the same time, this is NOT a Coen Brothers movies. Joel and Ethen Coen have always had a very dark vision, but their movies are often satirical, with a humor that balances and acts as a counterweight to their often dark, bleak storylines. However, with "No Country for Old Men", they drop the humor and comedy altogether, leaving only the dark, chilling shell. Why is this good? Simply put, it perfectly suits the writing style and themes of Cormac McCarthy. It took me actually reading a McCarthy novel ("Blood Meridian") to realize just how amazing and pure the Coen's portrayal of his writing was. "No Country for Old Men" utilizes minimalism at its best: the score is present but bare, placing the focus on the sound mix; the visuals are stark and gorgeous, balancing wide-open, barren landscapes with tight, dark enclosed rooms; the dialogue is sparse, subtle and calculated, as is the plot. Visual and auditory details are enhanced, while plot and character are left hazy and open. The result is an incredibly cerebral and organic film experience that completely absorbs your mind into the movie and leaves you with a million questions. But these aren't the kind of questions that leave you going, "what the fuck? what just happened?" These are the kind of questions that make you want to watch this movie over and over and over and over and...you get the point. "No Country for Old Men" is at its core a pure cinematic experience. When I first saw it, the movie took a while to sink in, and when it did, I knew that I had just seen something great. Javier Bardem is incredible playing one of the greatest villains of the decade (and really of all time), but what really stands out to me is the gray area that surrounds his "villain". Is he really the villain, or is the movie actually about him and not Llewelyn? I have heard people question the ending, saying they like everything about the movie except the ending, but I believe Tommy Lee Jone's dream was really a perfect way to conclude the film. It took a lot of rumination on my part, which I won't go into here, but I think it fits accordingly with the overarching--yet subtly portrayed--themes of the movie, principally the clashing ideologies of fatalism and determinism (and I will say, determinism doesn't fare so well in comparison in "No Country"...). Any movie that can portray such a dark philosophy, almost romanticize a terrifying, horrible villain, be so minimalistic, end on such a bleak and vague note, and yet STILL be so critically acclaimed and commercially successful is a winner in my book. And I actually DID write an essay about this movie. Maybe that's what gives it the slight edge over "The Dark Knight", but either way, "No Country for Old Men" is in my opinion one of the greatest films of the decade and will almost certainly go down as one of the greatest films of all time (if it doesn't already fall into that category).

***

There you have it boys and girls: my top 25 films of the 00's. Feel free to give your two cents, I'm quite interested to hear what films other people would put on or at the top of their own lists. If I have related any false information regarding any of these movies, please let me know as well. The last thing I want to do is mislead people in regards to any of these films. And finally, let me just reiterate that these are MY favorite films of the (last) decade and are of course flexible in terms of their order (it took a longgg time and a lot of changes to come up with the current order). This list is sure to change in the future, but for now, I hope you've enjoyed what I came up with.

Here's a quick recap if you don't want to go back and read all the old entries:

25. Up (2009)
24. 21 Grams (2003)
23. Kill Bill 1/2 (2003/2004)
22. Brick (2005)
21. High Fidelity (2000)
20. 28 Days Later (2002)
19. Spirited Away (2001)
18. The Royal Tenenbaums (2001)
17. Children of Men (2006)
16. Gladiator (2000)
15. I'm Not There (2007)
14. Oldboy (2003)
13. O, Brother Where Art Thou? (2000)
12. The Prestige (2006)
11. There Will Be Blood (2007)
10. Half Nelson (2006)
9. Lost In Translation (2003)
8. Mulholland Drive (2001)
7. The Assassination of Jesse James by the Coward Robert Ford (2007)
6. Road to Perdition (2002)
5. Eternal Sunshine of the Spotless Mind (2004)
4. Pan's Labyrinth (2006)
3. City of God (2002)
2. The Dark Knight (2008)
1. No Country for Old Men (2007)

*btw, isn't it funny (and creepy) how my favorite two films have probably the two best villains of the decade?